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Book
Engels woordenboek
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Year: 1962 Publisher: Groningen J.B. Wolters

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Book
Kramer's Engels woordenboek : Engels-Nederlands en Nederlands-Engels
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Year: 1953 Publisher: 's-Gravenhage G.B. van Goor Zonen's Uitgeversmaatschappij N.V.

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Book
Dull Margaret
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ISBN: 9781683960980 Year: 2018 Publisher: Seattle, Wash. Fantagraphics Books

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Book
The age of opus anglicanum
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ISBN: 9781909400412 1909400416 Year: 2016 Volume: *1 Publisher: Turnhout Harvey Miller Publishers


Book
Looking at European sculpture : a guide to technical terms
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ISBN: 1851772200 9781851772209 Year: 1997 Publisher: London: V & A publications,

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Looking at Paintings : a guide to technical terms
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ISBN: 0714117250 0892362138 9780892362134 Year: 1992 Publisher: Malibu, Calif. J. Paul Getty Museum in association with British Museum Press

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Understanding illuminated manuscripts : a guide to technical terms
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ISBN: 0712303405 9780712303408 Year: 1994 Publisher: Malibu, Calif. London J. Paul Getty Museum The British Library Board

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What is a breviary? What is an antiphonal? What is an incipit? This illustrated book offers definitions of the techniques, processes, and materials used in medieval illuminated manuscripts. Concise and readable explanations of the technical terms. Included are numerous illustrations drawn from the collections of the J. Paul Getty Museum and The British Library.


Book
Cut in alabaster : a material of sculpture and its European traditions 1330-1530
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ISBN: 9781909400269 1909400262 Year: 2018 Volume: 3 Publisher: London Turnhout Harvey Miller Publishers

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Cut in Alabaster' is the first comprehensive study of alabaster sculpture in Western Europe during the late Middle Ages and Renaissance. While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. 'Cut in Alabaster' charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.

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